More Great Mystery Beginnings

This book is a favorite, and one that I taught for a few years when I was lucky enough to teach a mystery seminar. See if you recognize it:

"The first time I laid eyes on Terry Lennox he was drunk in a Rolls Royce Silver Wraith outside the terrace of The Dancers. The parking lot attendant had brought the car out and he was still holding the door open becuase Terry Lennox's left foot was still dangling outside, as if he had forgotten he had one. He had a young-looking face but his hair was bone white. You could tell by his eyes that he was plastered to the hairline, but otherwise he looked like any other nice young guy in a dinner jacket who had been spending too much money in a joint that exists for that purpose and no other.

There was a girl beside him. Her hair was a lovely shade of dark red and she had a distant smile on her lips and over her shoulders she had a blue mink that almost made the Rolls Royce look like just another automobile. It didn't quite. Nothing can.

The attendant was the usual half-tough character in a white coat with the name of the restaurant stitched across the front of it in red. He was getting fed up.

"Look, mister," he said with an edge to his voice, "would you mind a whole lot pulling your leg in the car so I can kind of shut the door? Or should I open it all the way so you can fall out?"

The girl gave him a look which ought to have stuck at least four inches out of his back. It didn't bother him enough to give him the shakes. At The Dancers they get the sort of people that disillusion you about what a lot of golfing money can do for the personality.

A low-swung foreign speedster with no top drifted into the parking lot and a man got out of it and used the dash lighter on a long cigarette. He was wearing a pullover check shirt, yellow slacks, and riding boots. He strode off trailing clouds of incense, not even bothering to look toward the Rolls Royce. He probably thought it was corny. At the foot of the steps up to the terrace he paused to put a monocle in his eye.

The girl said with a nice burst of charm: "I have a wonderful idea, darling. Why don't we just take a cab to your place and get your convertible out? It's such a wonderful night for a run up the coast to Montecito. I know some people there who are throwing a dance around the pool.

The white-haired lad said politely: "Awfully sorry, but I don't have it any more. I was compelled to sell it." From his voice and articulation you wouldn't have known he had anything stronger than an orange juice to drink.

"Sold it, darling? How do you mean?" She slid away from him on the seat, but her voice slid away a lot farther than that.

"I mean I had to. For eating money."

"Oh, I see." A slice of spumoni wouldn't have melted on her now. . . . "

From THE LONG GOODBYE
Raymond Chandler (1953)

That Marlowe Magic

Here's Bogey playing Philip Marlowe in The Big Sleep. It's a great picture, although Humphrey Bogart is the last person I would have cast as Marlowe, who I picture as an entirely different guy when I read Raymond Chandler's books.

It doesn't really matter who plays him, I suppose, as long as they try to capture that Marlowe mystique, that Marlowe manner. But to be honest I don't think any actor has quite captured it. My mother-in-law once insisted that Robert Mitchum did, but he was a particular favorite of hers; I have to disagree even with that assessment.

But I'll bet there's a man out there who can capture what Chandler created on the page, that magical Marlowe combination of grit and style. Oddly, one of my favorite Marlowe lines is sort of a throwaway line--it doesn't have anything to do with the plot, but it has everything to do with why I love Marlowe. It's in The Long Goodbye, when a lackey of the gangster Mendy Menendez approaches Marlowe and they have this dialogue:

"In the morning I shaved again and dressed and drove downtown in the usual way and parked in the usual place and if the parking lot attendant happened to know that I was an important public character he did a top job hiding it. I went upstairs and along the corridor and got keys out to unlock my door. A dark smooth-looking guy watched me.

'You Marlowe?'

'So?'

'Stick around," he said. 'A guy wants to see you.' He unplastered his back from the wall and strolled off languidly."

Marlowe's narration is perfect enough, but it's that quirky "so?" that won me over the first time I read this book. My husband loves it, too, and we say it to each other all the time. It's what I like to think of as the Marlowe attitude, and I've decided to adopt it this Monday as I face the world: my students, my colleagues, etc.

"You didn't get all our research papers graded?"

"So?"

(image: http://www.dialmformax.com/images/bogart.jpg)