I'm not normally a reader of historical mysteries, but CITY OF LOST DREAMS, the new book by Magnus Flyte, seems to be much more than that--it is whimsey and fantasy in a historical setting, according to Kirkus, who called it "a lively, amusing romantic mystery," while CNN dubbed it "one of the most original novels released this year."
You had me at romantic, actually, but I always like to read something fresh and lively, and this book seems to be just the ticket for my holiday reading.
There is, apparently, a first book, called CITY OF DARK MAGIC, but I think I'm going to start with number two and see if it strikes my fancy. I can always go back and read the other book by the mysterious Mr. Flyte.
Tuesday, November 26, 2013
Monday, September 16, 2013
Gearing up for Autumn
Fall is almost here, and the weather in Chicago is aready crisp and cool. This is the time for long walks, hot soup, sweatshirts, and extra covers on the bed--with the windows open!!
What's your favorite thing about autumn?
Monday, September 02, 2013
Monday, July 29, 2013
Barbara Rogan on Writers, Agents, Editors, and Her New Mystery
Hello, Barbara! I enjoyed reading your new mystery, A DANGEROUS FICTION, and once I got about halfway through I really couldn’t put it down until I finished it! Thanks for agreeing to chat about it.
Let’s begin with the title: it’s a clever one, referring both to the publishing business, in which the main character works, and the heroine’s tendency to embellish her history. What came to you first: the title, or the plot?
I'm glad you enjoyed the book. I agree, it is a very apt title; but as usual with my books, I didn’t come up with it. It was the brainchild of my editor at Viking. While I was writing the book, I was calling it “Can You Hear Me Now?” which I quite liked; but “A Dangerous Fiction” really nailed the novel and I loved it as soon as I heard it.
Your main character, Jo, is tough, yet vulnerable, and she goes through a lot in this novel, both personally and professionally. Is she utterly fictional, or is she an amalgam of agents you have known?
The book offers us an inside look at a successful literary agency and some of the work that is done inside. I was shocked by the uncertainty of it: the fear of colleagues who might bear grudges, of media that might affect the agency’s reputation, of clients that might leave, seeking greener pastures. Is agenting, indeed, not for the faint of heart?
Publishing in general is not for the faint of heart, whether you’re an editor, agent, or writer. When I first started my agency, there were times that I had to worry about putting food on the table. But most people who work in that field do it because they love books and writing, and both agents and editors take great pride in their writers' work.
The cop in the novel, NYPD Detective Tommy Cullen, is an attractive man. He reminded me of Joseph Cotton’s character in Dial M for Murder. Do you happen to like that Hitchcock flick?
I do, though I haven’t seen it in ages. In the back of my mind, though, as I wrote A DANGEROUS FICTION, I was hearing dialogue from those classic Thin Man movies and Dorothy Parker’s stories.
Cool!! Jo’s past is littered with memories she doesn’t want to confront: the deaths of her parents; the abuses perpetrated by her grandmother; the marriage she insists was perfect. Why would someone as brilliant as Jo be so limited in analyzing her own experience?
Because it worked for her to compartmentalize her life, instead of integrating all its disparate parts. That integration is part of the journey she’s on, and one of the reasons I feel compelled to write more about Jo. But don’t we all tweak bits of our lives to make it a better story? Fiction is so much tidier than real life: more reason, less chance.
I was particularly fond of a character named Mingus, who happened to be a dog. Is Mingus based on any German Shepherds you have known?
All of them. So glad you liked Mingus! A good German shepherd is pretty much the ideal dog for me. Except for the shedding.
Jo has quite a few men in her corner. Are they protective of her because she is vulnerable, or do they naturally want to help a beautiful damsel in distress?
She has women in her corner, too. And she’s pretty tough; I don’t see her playing the helpless woman card.
While we’re on the subject of beauty—you have quite a few truly beautiful characters. Two gorgeous young interns, a beautiful protagonist, and a former lover whose nickname was “Prom King.” Do you think audiences are more sympathetic to beautiful people—even fictional ones?
Subconsciously they may be. Studies have shown that in real life attractive people have a pronounced advantage; it’s not unlikely that that carries over to fiction. But I’d like to think there are functional reasons my characters look the way they do. Certainly it’s true in Jo’s case, because she’s used her looks, along with brains and determination, to make her way in the world.
You once ran a literary agency in Israel. What are the notable differences between agenting in Israel and agenting in New York?
New York is tougher, because it’s never one person who decides to buy a book, a number of people have to weigh in, and any one of them can veto it along the way. In Israel, editors seemed to have more autonomy. But I haven’t been an agent in many years, and things may have changed.
You once met Madeline L’Engle. What was she like? How did you happen to meet?
I represented her U.S. agent, Theron Raines, for Hebrew rights, which meant I handled her books among others. I took the opportunity of introducing myself, because I pretty much worshiped her. She was my favorite writer as a kid, and I still remember the experience of reading A WRINKLE IN TIME one day when I was 8 or 9 and thinking, for the first time, that I wanted to do this; I wanted to make up stories and write books. We met a few times at the Cathedral of St. John the Divine, had lunch and talked about books and writing. When my second novel, CAFÉ NEVO, was published, she wrote that it was “a wonderful novel with richly developed characters acting and interacting… the café and its clients will long remain in memory.” What was she like? Some writers put the best of themselves into their work and don’t have much left over. Madeleine L’Engle was as kind and gracious as she was gifted.
I always got that vibe from her dust jacket photo--it's nice to know it was true. What are you reading now?
Ruth Rendell’s THE ST. ZITA SOCIETY and Elizabeth Strout’s THE BURGESS BROTHERS.
Are you writing another mystery?
I’m currently writing the second of what will be at least two more Jo Donovan mysteries. She interests me strangely.
Awesome! You’ve done it all in publishing: agenting, writing, teaching, leading seminars. What advice do you give writers that they seem to find the most helpful?
I also teach writing, at my online school www.nextlevelworkshop.com, so I am a fount of advice. Very generally, I advise writers to work on the craft and not to rush a story into print just because it’s so easy to do in the era of easy self-publishing. Novels are complicated; they take time and multiple drafts to fully emerge.
You’ve traveled many places; is there a place on Earth that you’d love to visit but have not yet done so?
Kenya and South Africa. I want to do a safari, though preferably one with comfortable beds and no bugs.
Which of the places you’ve visited was the most beautiful?
The west coast of Ireland; the Adriatic coast around Dubrovnik; parts of Switzerland; and Ein Gedi on the shore of the Dead Sea.
Thanks for chatting with me, Barbara!
Labels:
A Dangerous Fiction,
Barbara Rogan
Friday, July 26, 2013
Sarah Weinman Salutes the Women of Suspense
I was excited to receive this in the mail last week: Sarah Weinman's awesome compilation of suspense tales by women. As a life-long mystery fan, I recognized just about all of the names of the authors Weinman has selected, starting with Margaret Millar, one of my favorites from way back. I never felt Millar got the credit she deserved, perhaps because she was somehow seen as the writing spouse of Ross MacDonald, as though it was his profession and her hobby.
I read Millar's story first, something reminiscent of a really good Twilight Zone episode and definitely a fun thing to read right before bed!
Other writers in the book include the great Charlotte Armstrong and Patricia Highsmith (author of The Talented Mr. Ripley).
For those who loved Shirley Jackson's "The Lottery" (which used to be in just about every grade school anthology, guaranteeing nightmares for generations of children), Weinman has provided a different Jackson tale, equally eerie and memorable.
It's so refreshing to see a book focused on the talented women in mystery fiction--the undersung writers whose accomplishments, if you read the biographies listed here, are multitudinous.
Hurrah! May more books like this be forthcoming.
I read Millar's story first, something reminiscent of a really good Twilight Zone episode and definitely a fun thing to read right before bed!
Other writers in the book include the great Charlotte Armstrong and Patricia Highsmith (author of The Talented Mr. Ripley).
For those who loved Shirley Jackson's "The Lottery" (which used to be in just about every grade school anthology, guaranteeing nightmares for generations of children), Weinman has provided a different Jackson tale, equally eerie and memorable.
It's so refreshing to see a book focused on the talented women in mystery fiction--the undersung writers whose accomplishments, if you read the biographies listed here, are multitudinous.
Hurrah! May more books like this be forthcoming.
Thursday, July 18, 2013
Crime Writer John Barlow: Leeds and Crime Fiction
John Barlow is a British crime writer who has just released the second book in his LS9 Crime Series, called FATHER AND SON. In this guest blog, he explains why Leeds has been underused as a site for crime fiction.
The case for Leeds
by John Barlow
Crime writers
often base their novels in a specific place, and become identified with that
city or area: Ian Rankin (Edinburgh), Peter James (Brighton), John Harvey (Nottingham),
Peter Robinson (North Yorkshire), Ann Cleeves Northumberland, Shetlands), Nick
Quantril (Hull). The new wave of self-published writers has continued this
tradition: Kerry Wilkinson (Manchester), Bill Rogers (Manchester), Mel Sherratt
(Stoke)...
The setting
for these books become part of the works themselves, almost characters in the
fiction. When you open a new novel by one of these writers, you sink back into
the familiar atmosphere of a familiar place, just as you reacquaint yourself
with the main character.
Looking
back at that (very incomplete) list, there’s a lot of northern towns and
cities. Whereas ‘literary’ fiction is often associated with the south,
especially London, the same cannot be said of crime writing, where both Tartan
and Northern Noir are squarely on the map.
Except for Leeds. England’s third
largest city (after Birmingham and London) is more or less absent from the list.
Sure, there’s David Peace. But his novels, for some reason, don’t resonate with
the city in the same way as Ian Rankin’s do of Edinburgh. We do have Kate Atkinson’s
STARTED EARLY, TOOK MY DOG there, but apart from that, Leeds really lacks a
major presence in crime writing. Which is strange, because rival city
Manchester is bursting with crime fiction, so much that at any moment we might
expect the city’s Tourism Office to take out ads in the national press
reminding people that this is fiction, and that Deansgate and Peter Street are
not in fact littered with bleeding corpses.
A couple of
years ago I wrote my first crime thriller, and decided to set it in Leeds. As
part of the research for the book, I contacted the West Yorkshire Police,
explained who I was, and was allocated an official contact on the city’s CID. I
asked him what it was like working on serious crime in Leeds. The best place!
he said, grinning. He went on to tell me how interesting and varied crime was
in the city, and that for a CID officer there was no better posting.
I started
to realise that Leeds was in fact perfect for crime fiction. It is large, with
a varied economy and a rich social mix. There’s the broad swathe of 1960s
social housing to the north of the city, which at one point included Quarry
Hill, at the time the largest social housing project in the UK. Then, just a
few miles further out are the millionaires’ residences and golf clubs of the
city’s rich folk, many of whom are extremely rich, and absolutely fair game for
any fictional criminal...
Leeds also
has a long history of immigration, with a number of very well established
ethnic communities. For example, when young Polish immigrants began to arrive
in the city in recents years, they found the remnants of an earlier wave of Polish
immigration, including social centres.
Then,
inevitably, there’s the Ripper. The hunt for the Yorkshire Ripper was
coordinated from Millgarth Police Station in Leeds city centre. It was a
watershed in British policing, and showed how inadequate the investigative practices
of the time were; at one point, the floor in Millgarth used to store the huge
card index system for the Ripper inquiry had to be reinforced, since it was
threatening to bring down the whole building.
A direct
consequence of this was the HOLMES nation database, which figures in most
police procedural novels these days, since all serious crime is entered into
its vast digital store. Every police officer I have talked from the city to
carries the Ripper investigation deep in their psyche, part of the DNA of
policing there.
To say
Leeds could be the new Edinburgh is not stretching the imagination. And given
that the Harrogate Festival is just a bus ride away (OK, a short drive in your
BMW), it seemed a good place to celebrate Leeds in all its (fictional) criminal
glory. The Tartan lot may have had all the headlines up until now, but I think
Northern Noir is ripe for a surge, with Leeds at the helm. I’m doing my bit,
with a series set right in Leeds city centre. I don’t know to what extent this
is a risk, but when the first novel came out, last year, a blogger from Australia
not only reviewed the book, but wrote a
piece about the city itself.
So, if
you’re looking for a new destination in your crime reading, give Leeds a try.
The streets are not littered with bleeding corpses just yet, but I’m doing my
best.
John
Barlow’s second novel set in Leeds, FATHER AND SON, is out now. Buy it here:
Amazon
(US)
Amazon
(UK)
Or find him at his website, www.johnbarlow.net.
Thursday, June 20, 2013
Anxiety, Imprisonment, and THE NEVER LIST
It was little more than a month ago that three women were rescued from a Cleveland, Ohio home, where they had been held for years against their will and where they were beaten, raped, and restrained in a dungeon-like basement. Koethi Zan's new thriller THE NEVER LIST has eerie parallels to that story, since it tells the tale of a woman who was held in similar captivity for three years, along with two other women.
The narrator of THE NEVER LIST is one of the captives, and she begins her tale by saying "There were four of us down there for the first thirty-two months and eleven days of our captivity."
Perhaps the most frightening thing about this book is that it doesn't even necessarily seem like fiction. Several high-profile rescues in the last ten years (notably two in Austria and two in California) involved similar kidnappings and imprisonments of women, sometimes for many years. One of the Austrian women, Elisabeth Fritzl, was imprisoned (by her own father) when she was eighteen and was only freed twenty-four years later, after giving birth to seven children sired by her father and suffering repeated abuse by him.
THE NEVER LIST, to my relief, does not so much detail the abuse that the prisoners received as it does examine the psychology of imprisonment--not only the motivation of the captor, but the many repercussions, physical and psychological, created by the loss of freedom.
The book's title emerges as a central irony of the novel--the narrator, Sarah, and her best friend, Jennifer, survive a car crash when they are young, after which, in their anxiety, they try to manage their lives by preventing any possible tragedies. They do this by creating THE NEVER LIST--what never to do if one wants to stay safe. Never walk alone, never trust a stranger, never park far from your destination, etc. When Jennifer and Sarah eventually become captives, Sarah is faced with the bitter truth: victimization is not necessarily something one can avoid by being vigilant.
Indeed, the notion of victimization is explored at length in this novel, in an interesting and compelling way. While I didn't always predict the direction that the novel would go and I found at least one event utterly unbelievable, I must admit that I read this book practically in one sitting, and it was truly compulsive reading.
Zan's premise is fascinating not only because she takes us inside the mind of one who has endured horror, but because she examines the reality of anxiety in teenagers. Recent studies have suggested that both anxiety and depression have increased at a rapid rate in young people, and I thought of that when I read Sarah's account of the time she spent with her teenage friend chronicling all possible disasters that could befall them and then making plans to avoid them. Their anxiety created a sort of agoraphobic avoidance, an imprisonment-before-their-imprisonment.
Sarah's narrative voice is compelling and heartbreaking, and her life after captivity makes the reader root for her even while they acknowledge that she can never be the same.
An interesting and sobering read.
The narrator of THE NEVER LIST is one of the captives, and she begins her tale by saying "There were four of us down there for the first thirty-two months and eleven days of our captivity."
Perhaps the most frightening thing about this book is that it doesn't even necessarily seem like fiction. Several high-profile rescues in the last ten years (notably two in Austria and two in California) involved similar kidnappings and imprisonments of women, sometimes for many years. One of the Austrian women, Elisabeth Fritzl, was imprisoned (by her own father) when she was eighteen and was only freed twenty-four years later, after giving birth to seven children sired by her father and suffering repeated abuse by him.
THE NEVER LIST, to my relief, does not so much detail the abuse that the prisoners received as it does examine the psychology of imprisonment--not only the motivation of the captor, but the many repercussions, physical and psychological, created by the loss of freedom.
The book's title emerges as a central irony of the novel--the narrator, Sarah, and her best friend, Jennifer, survive a car crash when they are young, after which, in their anxiety, they try to manage their lives by preventing any possible tragedies. They do this by creating THE NEVER LIST--what never to do if one wants to stay safe. Never walk alone, never trust a stranger, never park far from your destination, etc. When Jennifer and Sarah eventually become captives, Sarah is faced with the bitter truth: victimization is not necessarily something one can avoid by being vigilant.
Indeed, the notion of victimization is explored at length in this novel, in an interesting and compelling way. While I didn't always predict the direction that the novel would go and I found at least one event utterly unbelievable, I must admit that I read this book practically in one sitting, and it was truly compulsive reading.
Zan's premise is fascinating not only because she takes us inside the mind of one who has endured horror, but because she examines the reality of anxiety in teenagers. Recent studies have suggested that both anxiety and depression have increased at a rapid rate in young people, and I thought of that when I read Sarah's account of the time she spent with her teenage friend chronicling all possible disasters that could befall them and then making plans to avoid them. Their anxiety created a sort of agoraphobic avoidance, an imprisonment-before-their-imprisonment.
Sarah's narrative voice is compelling and heartbreaking, and her life after captivity makes the reader root for her even while they acknowledge that she can never be the same.
An interesting and sobering read.
Friday, April 12, 2013
Marian Keyes on Beautiful Handbags, Clever Children, and Her Fun New Mystery
Marian Keyes is one of the most successful Irish novelists of all time. Her new book, The Mystery of Mercy Close, is available in bookstores now.
Hello, Marian! First, let me say that your book was a delight to read! I very much enjoyed The Mystery of Mercy Close.
Hello, Marian! First, let me say that your book was a delight to read! I very much enjoyed The Mystery of Mercy Close.
Your character, Helen, has a wonderful narrative
voice—direct and spritely and likable.
How do you keep her narration so full of energy? Did you hear her voice in your head while you
were writing the novel?
The thing is that Helen has already appeared in 4 of my
other books. There is a family of 5 sisters, and 4 of the other sisters have
already had ‘their’ book and this was Helen’s turn. So in a way I already knew
her voice. But it’s very different to mine so every time I sat down to write I
had to ‘become’ Helen, like an actor preparing for a part. And I knew she was
no-nonsense and slightly acerbic, so I had to divest myself of any
sentimentality
Helen had two love interests in this novel, and they were
both extremely attractive. One of them
truly won my heart. Are you a romantic
at heart? Do you like reading romantic
stories?
I’m so glad you liked them! I’m interested in reading
about relationships, all relationships and all my novels are about emotional
landscapes. When I was a lot younger and studying law I got light relief by
reading a couple of Harlequin-style romances every weekend. …I’m not so sure I
could do that now. I’m not really a fan of books that present a man as the
solution to all the heroine’s problems.
The premise of the mystery is that a former boy band
member goes missing right before the band’s reunion. Do you have a favorite boy band that you
would like to see reunited?
There’s an Irish boyband called BoyZone, I don’t know if
you’ve heard of them? Also, I need to say I’m very fond of One Direction!
On your website you mention that one of your favorite
artists is George Michael. If you could
sing a duet with him, what would it be?
Oh, what a lovely thought! I’d happily sing anything with him! Perhaps Club Tropicana!
One of my favorite characters in Mercy Close is a
nine-year-old girl named Bella, whose dialogue is routinely hilarious. Is she inspired by any real nine-year-olds,
or did you just tap into your little-girl memories?
I will whisper this… Bella was inspired by 2 little girls
I know. One is my niece, Ema, who was always incredibly bright and at the age
of 4, her favourite movie was Roman Holiday. Even from a young age, I was able
to have ‘grown-up’ conversations with her about movies and clothes and nail
varnish. She took our discussions very seriously. The other inspiration for
Bella is my god-daughter Kitten, who often does quizzes for me, the way Bella
does for Helen.
The quiz was wonderful! (And I love the name Kitten). You have a law degree.
If you practiced law today instead of writing your wonderful books, what
would be your specialty?
Oooooh…. Tricky question. I feel so so so far away from
the world of law that I couldn’t imagine practicing anything. I suppose I feel that the legal world is
invoked to either anticipate a conflict or to resolve it and I’m a bit sappy. I
like everyone to be nice!
Helen struggles with anxiety and depression; at one point
she confides to her doctor that she is waking up each day at 4:44. I’m curious to know if this is a real
phenomenon, because I’ve had my share of panic attacks, and there was a point
when I was also not only waking up at 4:44 each morning, but also seeing that
number everywhere—on license plates, on billboards. Do you think this a number that stands out to
anxious people?
VERY interesting point! They do say that, with human
beings, our bio-rhythms make us most sad/fearful/vulnerable around 4 am.
Without getting too morbid, it’s the time when ill people are most likely to
die. There is so much anecdotal evidence that 4am-ish is when people wake to do
their worrying that it must be true. I don’t think the fault lies with the numbers
themselves, though, but the fact that our bodies and psyches are at their most
depleted around then.
Helen’s descriptions of her depression is so detailed and
realistic that I became depressed when reading some of the passages. How were you able to so well balance the
darker side of Helen’s psyche with her fun, humorous narration?
It’s a feature of all my books that I balance serious
issues with lots of humour. It was very important for me to write an accurate account of what it’s really like suffering from depression. However, I could
only take so much darkness and I needed to write comedy and fun and lightness
to counteract it. Laughter is a survival mechanism and it kicks in with me when
it’s needed. And I want my readers to have a good time, I’m happy to reveal
some darkness, but ultimately I’d like everyone to leave my books feeling
uplifted and hopeful.
Helen notes with some irony that the Devlin family (her
boyfriend’s family) are seemingly perfect: they’re all blonde and good-looking,
they have a gorgeous house and nice possessions, and everything they touch
seems to turn to gold. So why are they
such a likeable bunch? Shouldn’t we (and Helen) hate them?
I know what you mean! But it’s because the Devlins
themselves are so well-mannered and thoughtful and loving that makes them
likeable. I happen to know a family of 3 sisters and they’re all gorgeous and
accomplished and successful, but they have such a knack of making me feel
special and loved when I’m in their company that it’s impossible to do anything
but adore them! The same with the Devlins (apart from Bruno, of course, who is
not a fan of Helen’s.) They treat her with such admiration and fondness that
she can’t help but be seduced.
That makes sense. On another note, you are in Ireland. Do you visit America often? If so, what stands out the most about our
country for you?
Well, I do visit often, because one of my sisters lives
in New York. And over the years I’ve had the opportunity to travel to many
places in your beautiful country. I
suppose what amazes me about the US is your incredible geographical
diversity. Also, you have such amazing
handbag designers! My sister lets me know about what’s new and exciting long
before it arrives here. Last time I saw her, she had a fabulous cross-body purse
by Vince Camuto, which I really really really want…
Will there be more mystery novels starring Helen Walsh?
Yes! I’m hoping! I’m currently working on a new book,
which isn’t about Helen, but I’m hoping that the one after will be about Helen
and – the best bit – set in New York!
Terrific! How can readers find out more about you?
I have a website www.mariankeyes.com
or you can follow me on twitter @mariankeyes.
Thanks so much, Marian, for the interview!!
Thank you so much!
(Photo credit: Barry McCall).
(Photo credit: Barry McCall).
Monday, April 08, 2013
Kaye Barley Returns to Talk About Whimsical Women, Beautiful Places, and Delicious Food
Hi, Kaye! Nice to see
you again on the blog.
Hi, Julia – Thanks so much for having me back.
Your writer friends have been telling you
for years to write a book. Not until
recently did you take them up on the challenge.
What made you sit down to write Whimsey,
your self-published book?
They have been, haven’t they? Especially a couple in particular – Judith
Greber and Earl Staggs. Judith with
gentle nudges, Earl – eh, not so gently.
(I’m teasing about Earl - sorta).
But after I retired I decided it was now or never and I wanted to see if
I could actually write the book I wanted to write. It took a couple years, but with Earl’s
patient guidance, holding my hand and teaching me every step of the way, along
with excellent editing on his part, I wrote the book that was living in my head
and in my heart and I’m proud of it.
You live in Boone, North Carolina, but the island of
Whimsey is located off of Georgia. How did
you decide upon the setting?
I love these North Carolina
mountains, but I think by growing up on the water that’s where my heart
is. I find magic when I’m near the ocean
and it just wouldn’t be “my” book if I tried to place the story anywhere else.
Whimsey the island is a place that celebrates the
arts. Was there, for you, a sort of Renaissance feeling to this
creation?
I wanted WHIMSEY to celebrate many
things. Connections for one, thus the
strong family and friendship storyline that runs through the novel. Beauty for another, and that’s where the
artsy things came into play. I’m a lover
of beautiful things, and having these women who have been friends since they
were little girls creating beautiful things just felt right to me. The
renaissance may be in the rebirth of a talent thought lost by the protagonist,
Emma, but truthfully, a renaissance for me--I’m not so sure. An “awakening” of a talent, then yes,
probably so.
I love the title, not only because it sums up the
tone of the book but because it reminds me of Lord Peter Wimsey and of all
things whimsical. What came first: your
idea for a title, or your idea for a plot?
The idea for the story came first –
and I wrote a lot of it before Earl said, “Kaye, this is lovely, but you don’t
have a plot.” By then the name WHIMSEY
was just there. I have no idea where it
came from, it was just there. And I
think it’s perfect and I love it and the name Whimsey, honestly, helped spark a
lot of what happens through the book.
With a different title, even a working title, I don’t think the same
book would have emerged. I’ve always
tried to live my own life with a bit of whimsy – right down to decorating our
home with surprise touches of playful and whimsical things sitting around. I’m sure it drives some people a little crazy
when they walk in the door, and I sometimes think I’m going to try decorating
the house like a grown-up and I try, but those “things” just seem to find their
way back. And having Lord Peter Wimsey
as a long time “friend” was part of the
mix also.
You recently retired.
What’s the best thing about retired life? Are you reading a lot more than you did
before?
I love being retired. I now believe I was born to be a retired
person. When I was younger my interests
were SO different than they are now. I
had years of working in an office in jobs that offered little in the way of
creative outlets. I’ve taken a beezillion
classes in lots of different areas – I’ve taken basketweaving, knitting,
pottery, weaving, jewelry making, and I’m sure there are others I’m
forgetting. Some were more successful
than others, but all were precluded by the fact that I had a “job.” That job made a difference. While none of the jobs have been bad, just
the very fact of them seemed to suck up the time and the inclination to spread
my wings and do more. Once I retired I
promised myself I would do the things I didn’t feel as though I had the time
for while working. The best thing is
that time. Time is my most cherished
possession now and I try to use it in ways that are productive and bring me
joy. I am not reading as much as I
did. I’m still reading a lot and I still
love it, but now there are other joys in addition to my books.
What made you decide to self-publish instead
of going the route of querying agents or publishers?
What was important to me now was getting it out there. I personally think, for one thing, that starting out in the traditional way is now a young person's game and I'm not a young person and I'm not a patient person. And, truthfully, I wanted my mother to be able to read “Whimsey” and see it as a "real" book.
A more lengthy answer to your question, IF anyone is interested in here: http://www.meanderingsandmuses.com/2013/01/why-ive-decided-to-self-publish.html
In addition to the blog I wrote about why I made the decision I did (see above), I've also written a piece about the self-publishing process, and you can read it here - http://www.meanderingsandmuses.com/2013/03/what-ive-learned-so-far-about-being.html
Are you thinking of writing a sequel to Whimsey?
Actually, my plan is to write four
more WHIMSEY books. There are five women
(The Wicked Women of Whimsey). WHIMSEY:
A NOVEL focused on Emma. Book #2, which
I’m working on, will focus on Olivia.
One of your glowing reviews praises
the descriptions of food in your novel.
What was the food description that was the most fun to write?
I love to eat. I wish I loved to cook as much as I love to
eat. But some of my loveliest times seem
to involve nice meals shared with good friends.
Hanging around in their kitchens, sitting around tables. I don’t think Donald and I have ever taken a
trip that we don’t seem to gauge it by how well we ate. So, there’s a lot of that in WHIMSEY. I think one of my favorite scenes is one
where most of the book’s characters are gathered for a “breakfast for dinner”
being whipped up by Emma’s mother, Zelda.
What did your husband and canine companions do when
you were answering your writing Muse?
Did they miss you while you typed away?
Donald Barley is so good. He has encouraged my writing since the very
first piece I wrote in 2008 – a blog for The Stiletto Gang about my efforts to
quit smoking. He’s always been there for
me to bounce ideas off when I write at Meanderings and Muses, and he encouraged
me to write yjr pieces which I was thrilled to have accepted for two regional
anthologies.
While I was writing WHIMSEY and we
would talk on the phone during the day he would ALWAYS ask, “Are you
working?” and if I wasn’t, he would
nudge me a bit.
Harley? Now that’s a different story. Harley makes the rules, and if it’s time for
walkies, well – it’s time for walkies.
Has Spring come to Boone? If so, what does spring look like there?
Spring? NO! Is
it ever coming??? We’re expecting snow
this week. How ‘bout you? Are you beginning to see lovely spring
flowers?
Actually, it's cold in Chicago, too. We had an entire March without any temperatures in the 60s, and April has been mostly that way, too!
If you could go to Whimsey, what’s the first thing
you would do there?
I would go sit on the beach and
watch the sunrise.
Aah. Where can readers find out more about Whimsey and
Kaye Barley?
I talk about WHIMSEY
endlessly. Everywhere. If you’re at Facebook, I’m there – a
lot. But here’s the WHIMSEY webpage
which includes a schedule of blogs where I’ll be popping up. It also includes the first chapter of the
book. http://www.kayewilkinsonbarley.com/ AND, I’m the blog mistress of Meanderings and
Muses - http://www.meanderingsandmuses.com/
. AND the very cool women at Jungle Red
Writers let me pop in to play the first Sunday of each month - http://www.jungleredwriters.com/
Thanks for chatting, Kaye!
Julia, Thank You!
It’s always fun to spend a little time with you, my friend.
Wednesday, March 20, 2013
Parker Francis on History, Mystery and Mythological Retribution
Parker Francis is the author of Matanzas Bay and Bring Down the Furies, which The Kindle Book Review called "intriguing, engaging, and suspenseful."
Thank you, Julia. I appreciate the opportunity to share with your readers.
Your title references the Furies, who are mythological creatures of retribution. Are you a fan of mythology, or just the Furies? :)
In Greek mythology, the Furies were the three goddesses of vengeance. I can’t say I’m a big fan of mythology, but vengeance and justice are themes that play themselves out in my Quint Mitchell books as Quint always tries to do the right thing although he might take a roundabout route to get there.
In Greek mythology, the Furies were the three goddesses of vengeance. I can’t say I’m a big fan of mythology, but vengeance and justice are themes that play themselves out in my Quint Mitchell books as Quint always tries to do the right thing although he might take a roundabout route to get there.
Quint Mitchell is a great name for a
detective. Is he a fifth son?
Quinton
“Quint” Mitchell is actually the first son in his family. In the first Quint
Mitchell Mystery, MATANZAS BAY, the reader learns more of his backstory and
family history. In that book Quint is in a darker place, carrying a load of
guilt that stems from the death of younger brother. But I’m glad you like the
name. Writers, as you know, strive to find a name that will resonate with the
reader and carry the character through the book.
Quint has a likeable style; he’s hard-boiled,
but he has a softer side. Who are the
hard-boiled detectives you most admire?
The hard-boiled detective has been a
staple of American mysteries going back to the pulps. Authors I’ve admired,
like Dashiell Hammett and Raymond Chandler, brought us Sam Spade and Philip
Marlowe. Mickey Spillane followed with his Mike Hammer tough guy series, but I
absolutely loved John D. Macdonald, who gave us the Travis McGee novels, which I
still consider among the best in the genre. Because I’m a real softie, I wanted
to give Quint a softer, more human side and not make him into an indomitable
superhero who can whip six men with one hand tied behind his back. This means
he makes mistakes once in a while and might have misgivings about the choices
he makes. This is beginning to sound like my autobiography.
Haha! One of Quint’s tasks in the book is to catch a
womanizing con artist called “The Heartthrob Bandit.” Is this criminal based on any real-life
gigolo?
Ricardo “Ricky” DeAngelis was one of my favorite characters in the
book. I’m sure I must have heard or read a news account of a con man preying on
older wealthy women somewhere along the way, but Ricky was pretty much born of
my warped imagination. I really didn’t envision him playing a major role in
the story and used him mainly as a device to get Quint from Jacksonville Beach
to Allendale, SC. But once he and Quint met in the first chapter, Ricky became
a major subplot while Quint coped with the serial arsonist.
In addition to your mythological allusions, your
book makes several historical allusions, as well. Are you a history buff?
History was one of my
favorite subjects in school, so I guess you can say I’m a bit of a history buff.
I’d like to think that readers of mysteries are looking for more than just
crime and punishment. They want to learn something as they try to solve the
mystery, so I like to salt my fiction with historical facts. In BRING DOWN THE
FURIES we learn a little about the history of Allendale, and how General
Sherman’s troops burned down the original town during the Civil War. Matanzas Bay was set in St. Augustine,
Florida, and readers were exposed to some of the colorful and bloody history of
the nation’s oldest city.
After MATANZAS BAY I
wanted to move Quint to another location. I also wanted find a setting where
archaeology might play a part in a larger mystery, as it did in the first
offering. Searching the Internet, I located a listing of archaeological
projects in the southeast. That led me to the Topper site outside Allendale,
South Carolina where Dr. Albert Goodyear has found artifacts made by the
pre-Clovis people dating back thousands of years. Claxons began ringing in my
head, and I asked myself what if a Creationist minister feuded with the
archaeologist and it boiled over into a tension-filled media circus. Now I felt
I was onto something that could explode from a single idea into a longer, more
compelling narrative. With more research I learned that General Sherman’s
troops had burned down the original town on their way to Columbia during the
Civil War. This bit of historical news tripped another set of creative neurons and
I decided fire would play a major role in the story. That led to the idea of a
serial arsonist at work in Allendale.
In addition to the Quint mysteries, you’ve
written books with a feline protagonist in your WINDRUSHER series. Was it hard to get the cat’s point of view
just right?
It was, but having lived for years with a household overflowing
with feline critters I had plenty of role models. They were also very strict
editors who made sure I got it right. Seriously, though, it was a bit tricky,
but once I got inside my protagonist’s head it became much easier. The
WINDRUSHER trilogy was fun to write, and I still hear from readers wondering
when the next one will come along.
Speaking of cats, your website informs me that
one of your own cats, Duke, is quite the critic of manuscripts. Does he help you polish drafts?
Wow, you’ve
really done some digging. Duke has a habit of tap dancing across my keyboard
when I’m writing. He isn’t as bad as he once was and will usually settle down
in my lap for nap after he’s done his damage. He’s a bit of a bully who keeps
the other cats at bay, but he’s really a pussycat at heart.
Will there be more Quint Mitchell books?
Yes
there will. The next novel is in development stage (by which I mean I’m still
in the daydreaming process) and will bring Quint back to Florida. This one will
be set in Cedar Key on Florida’s west coast. Right now I’m readying a short
story collection I’ve titled GHOSTLY WHISPERS, SECRET VOICES, containing six surprising
and darker stories. This will be available for Kindle readers within the next
month or so.
What are you reading right now?
I’m a major
consumer of books in any form. I have two “tree books” going right now. The Yard by Alex Grecian, which is a
mystery set in Victorian England shortly after Jack the Ripper terrorized
London. The other is Laura Smith’s debut novel, Heart of Palm, which won’t be out until April, but her publisher
sent me an advance copy. It’s funny and warm and I’m enjoying it. On my iPad Kindle
app I’m reading Paul Levine’s Fool Me
Twice, a Jake Lassiter mystery, and in my car I’m listening to one of Lee
Child’s Jack Reacher books, Echo Burning.
I also have a few books on my iPhone that I listen to while working out or
pulling weeds from my lawn, which is a redundancy since my lawn is mostly
weeds.
If Hollywood made a movie of your book, who
would you want cast as Quint?
Good question. There are a few who fit my image for Quint
Mitchell, including Leonardo DiCaprio, KyleChandler and Mark Ruffalo. If Alec
Baldwin was 15 years younger he’d be perfect. But while we’re dreaming of
casting actors for my “movie,” how about these other characters: Sheriff
Wilburn Peeks plays a major part in FURIES as the tough-talking adversary who
gives Quint a hard time for much of the story. Of course, I’d love to see Tommy
Lee Jones play the crusty sheriff after seeing his remarkable portrayal of
Thaddeus Stephens in “Lincoln.” I can also envision Ed Harris in the role. One
more role I’d fill would be Nurse Allene Skinner-Jarrett. Allene plays Quint’s
love interest, or perhaps lust interest would be more accurate. She’s a bit of
a tease, but exudes sensuality and knows how to push Quint’s buttons. I can
picture Charlize Theron or Jennifer Garner slipping into (and out of) her
medical scrubs to treat Quint.
You live in Florida. Will you ever set a book there?
See the
answers to the above questions regarding Matanzas
Bay and book three in the series. I think Quint will always come back to
Florida as long as I’m here to greet him.
Thanks for chatting, Parker!!
Thank you, Julia. I appreciate the opportunity to share with your readers.
Thursday, January 24, 2013
New Paths
New Year's Resolutions are so necessary, but so difficult! How are your resolutions going?
I'm still swearing to "get on a program," but my fitness level leaves a lot to be desired.
However, I am on target for reading more books this year! Three good ones I just read are
Mr. Penumbra's 24-Hour Bookstore
The Age of Miracles
Gone Girl
All disparate titles, but all interesting and well-written. I'm guessing they're all destined to be turned into movies. What good books have you read lately?
Good luck with your own New Year's resolutions! It's still January, after all.
We can still make them happen. :)
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